Bridges across the Seine at Asnières — The story behind it

The circumstances

Bridges across the Seine at Asnières dates from 1887, in the Paris period. Factory chimneys and river bridges, painted where the Impressionists painted, with a harder edge.

What the date does not tell you is how quickly it happened. Vincent often worked at a single sitting and then reworked the surface for weeks; the 1887 on the front records when the picture was begun as often as when it was finished.

What came after

After Vincent's death the picture passed through Theo's estate and then through the hands of collectors who mostly wanted the name, not the painting. It is now at Van Gogh Museum, Amsterdam.

The market history is worth knowing because it distorts how we see the work. Prices from the 1980s and 1990s made Vincent into a brand, and the brand makes it hard to look at a picture like this one as a piece of work rather than an asset.

Provenance

Van Gogh Museum. Provenance matters more than usual with Vincent, because so much of what circulates as his work is not his — early imitations, studio copies and outright forgeries all exist in numbers.

For a reproduction the provenance of the painting still matters, because it determines which file we print from. We name the collection on every product page for that reason.

Why the date is written as 'dated'

We say Bridges across the Seine at Asnières is dated 1887 rather than completed in 1887, because Vincent reworked canvases for months and the date on a picture is often the date it was begun.

That distinction matters when you read catalogue entries. A painting dated 1887 may have been finished the following year, and a painting 'after' another may be a studio repetition Vincent made himself.

Bridges across the Seine at Asnières is one of 17 pictures from the Paris years in this library. The palette runs to blue, green, sand; the original is at Van Gogh Museum, Amsterdam. The largest reproduction we print is 60 × 90 cm, which is enough to read the composition and not enough to read every stroke — that is the honest trade a print makes.

Source note: catalogue data from the holding museum; quotations from Vincent van Gogh's correspondence; image files from open-access museum releases where available. Dated, not completed — see the note on dating in the article above.