Where to see it · 1889 · Saint-Rémy
Olive Trees — Where to see it
Last updated 2026-10-31 · 2 min read · 368 words
Quick answer
Olive Trees is held by Museum of Modern Art, New York. It is part of a permanent collection rather than a touring loan, which means you can plan around it — but not assume it is always on the wall.
Where it hangs
Olive Trees is held by Museum of Modern Art, New York. It is part of a permanent collection rather than a touring loan, which means you can plan around it — but not assume it is always on the wall.
Large museums rotate works on paper and fragile panels; paintings on canvas like this one are usually out, but check the room list before you travel.
How to see it properly
Go early. Vincent rooms are among the most crowded in any museum, and Olive Trees is one of the reasons. Stand at three metres first, then move in; the picture is built to be read in that order.
If you can, see it twice in one day. The second visit is when you stop looking at the famous image and start looking at the paint.
Practical notes
Museum of Modern Art, New York lists Olive Trees in its online collection, usually with a high-resolution image. Those files are the ones we print from where the licence allows it.
If you are visiting for this picture specifically, check the room number the day before. Rehanging is routine and the website is not always current.
If you cannot get there
Most of the collections holding Olive Trees publish a high-resolution image under an open licence or a permission scheme. That is where our files come from, and it is where you can look closely for free.
What you lose is scale and surface. A screen compresses a painting into roughly the size of a hand, and Olive Trees was not painted to be seen that way.
Olive Trees is one of 20 pictures from the Saint-Rémy years in this library. The palette runs to olive green, blue, ochre; the original is at Museum of Modern Art, New York. The largest reproduction we print is 60 × 90 cm, which is enough to read the composition and not enough to read every stroke — that is the honest trade a print makes.
Source note: catalogue data from the holding museum; quotations from Vincent van Gogh's correspondence; image files from open-access museum releases where available. Dated, not completed — see the note on dating in the article above.
Prints of Olive Trees
A printed product carrying a public-domain reproduction. Not an original artwork, not a limited edition, not signed.