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1887 Diamond Painting Paris

Colour plates from the source file, not photographs of the product. The print is colour-managed; no image on this page is generated.

Diamond Painting Kit · Paris

In the Café: Agostina Segatori

Dans le café: Agostina Segatori · 咖啡馆里的阿戈斯蒂娜 · 1887

4.5 (52 reviews)
$42.99 printed to order

40 × 50 cm · SKU GH-AGOSTI-DIA218 · 58 In stock

Material
Canvas with printed grid, 40 × 50 cm, round drills
Size
40 × 50 cm
Collection
Van Gogh Museum, Amsterdam
Care
Keep the canvas covered when you are not working on it. Seal the finished panel with the supplied glue sheet.

A printed product carrying a public-domain reproduction. Not an original artwork, not a limited edition, not signed.
What you get

Full-drill kit with pre-sorted resin drills, applicator pen, tray and wax. Roughly 45,000 drills.

Shipping

Made to order in 2–4 business days, then 5–12 business days in transit. Free over $89.00, otherwise $6.99 flat. Ships from the US and the EU. Taxes and duties are calculated at checkout where applicable.

Returns

Returns accepted within 30 days for damaged or incorrect items. Because every piece is printed to order, change-of-mind returns are limited to unwashed, unworn items in original packaging, with return postage paid by the buyer.

About the painting

In the Café: Agostina Segatori was painted in 1887, during the Paris years. The owner of the Tambourin, where Vincent ate and exhibited, painted sitting at one of her own tables.

The original is held by Van Gogh Museum, Amsterdam, and its palette runs to blue, red, ochre. That palette is what we print from — not a colour-boosted version of it.

What this product is

A diamond painting kit printed with a public-domain reproduction. Canvas with printed grid, 40 × 50 cm, round drills. Full-drill kit with pre-sorted resin drills, applicator pen, tray and wax. Roughly 45,000 drills.

It is not an original artwork, not a limited edition, not signed and not numbered. Vincent van Gogh died in 1890, so the painting itself is out of copyright everywhere — which is the only reason a print of it can exist. A print is still a print, and the difference matters when you decide what goes on your wall.

Colour, screen and cloth

Screens emit light; pigment and dyed cotton reflect it. A printed surface always reads denser and less luminous than a backlit display, and textile prints lose a little of the finest brushwork to the weave. If you need to match a specific wall or outfit, ask us for a physical proof before ordering.

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